He is credited by many with first popularizing this form of music in the early 1950s with his group Bill Haley & His Comets and million-selling hits such as "Rock Around the Clock", "See You Later, Alligator", "Shake, Rattle and Roll", "Rocket 88", "Skinny Minnie", and "Razzle Dazzle". Stein and Day. He didn't recognize anyone anymore" after being taken to his home in Beverly Hills. His son Pedro represented him at the ceremony. Written almost as a parody of R&B conventions, its principal composer was Max C. Freedman, a songwriter best remembered up to that time for his 1946 hit "Sioux City Sue," and also responsible for such songs as "Do You Believe in Dreams" and "Her Beaus Were Only Rainbows." The movie was a huge hit, and in its wake Decca re-released the song that spring. But some of it, like "Rockin' Chair on the Moon," was years ahead of its time; and some of it, like "Crazy, Man, Crazy" -- a Haley original whose title came from a piece of teen slang that he'd heard -- did exactly what was intended, hitting the Top 20 on the pop charts in 1953, a first for a white band playing an R&B-style song. Soon after, the band's name was revised to "Bill Haley & His Comets". One has to visualize a reality in which Bill Haley & His Comets were the only established white rock & roll band, and the only white rock & roll stars in the world. His brand of rock & roll, made up of R&B crossed with country boogie and honky tonk, was passé, and a switch to instrumentals didn't solve the problem of falling sales. No one even had a name for what it was; a "race record" as the trades called discs done in a style that seemed aimed at black listeners, but one done by a white band in a kind of country style. Take your favorite fandoms with you and never miss a beat. Dwight Yoakam sang backup on the tribute. [15] He sings and plays guitar with a band called "Bill Haley and the Satellites," and released a CD in 2011. The family moved to Boothwyn, PA, during the mid-'30s, where Haley developed a strong love for country music and began playing guitar and singing; by 14, he had left school in the hope of pursuing a career in music. Martha still took care of him and sometimes he would come in the house to eat, but he ate very little. Haley left the group in 1946 and went through several other bands before returning to his home in Chester, PA, where he initially hoped to get some work as a DJ. By 1952, Bill Haley and the Saddlemen were history; instead, playing off of their leader's name and the celestial phenomenon called Halley's Comet, they became Bill Haley & His Comets. Later on in 1957, Haley became the first major American rock singer to tour Europe. The band also appeared on Dick Clark's Saturday Night Beechnut Show, also known as The Dick Clark Show, a primetime TV series from New York on March 22, 1958, during the first season and on February 20, 1960, performing "Rock Around the Clock", "Shake, Rattle and Roll", and "Tamiami". Contact Us | Terms of Use | Privacy Policy | Copyright, Celebrities Interesting Facts By Nationality, Celebrities Interesting Facts By Profession. It couldn't have happened at a better time, because that same year, for the first time in more than ten years, he didn't owe anything to the government. [12] His youngest daughter, Gina Haley, is a professional musician based in Texas. Bill Haley is the neglected hero of early rock & roll. I’ll end this brief history with two boogie songs that Bill Haley and the Saddlemen recorded in 1951. [8] One source states that Hayley started his career as "The Rambling Yodeler" in a country band, The Saddlemen.[9]. It couldn't have happened at a better time, because that same year, for the first time in more than ten years, he didn't owe anything to the government. Haley soon had another worldwide hit with "Shake, Rattle and Roll", another rhythm and blues cover in this case from Big Joe Turner, which went on to sell a million copies and was the first rock 'n' roll song to enter the British singles charts in December 1954, becoming a gold record. That was the record that broke the band nationally on Decca, reaching number seven and selling over a million copies between late 1954 and early 1955. Haley was already 30 years old and so he was soon eclipsed in the United States by the younger, sexier Elvis Presley, but continued to enjoy great popularity in Latin America, Europe and Australia during the 1960s. Singer and guitarist whose "Rock Around the Clock" signaled the beginning of the rock & roll era. Haley's two original bandmates from his Four Aces days, Johnny Grande and Billy Williamson, were formal partners, joined to him at the hip legally, with fixed shares in the group's earnings; tenor saxman Joey D'Ambrosio, bassist Marshall Lytle, and drummer Dick Richards, by contrast, were hired employees earning 150 dollars a week plus expenses -- a respectable living for most working musicians in 1955 -- when "Rock Around the Clock" hit the top of the charts. [4] Haley's father William Albert Haley was from Kentucky and played the banjo and mandolin, and his mother, Maude Green, who was originally from Ulverston in Lancashire, England, was a technically accomplished keyboardist with classical training. Haley was posthumously inducted into the Rock and Roll Hall of Fame in 1987. William John Clifton Haley was born near Detroit, but raised in rural Pennsylvania. [12] On October 27, 2007, ex-Comets guitar player Bill Turner opened the Bill Haley Museum for the public. After the record rose to number one, Haley was quickly given the title "Father of Rock and Roll" by the media, and by teenagers who had come to embrace the new style of music. Rock Music Wiki is a FANDOM Music Community. A number of previously unreleased Haley country-western recordings from the 1946-1950 period began to emerge near the end of Haley's life, some of which were released by the Arzee label, with titles such as "Yodel Your Blues Away" and "Rose of My Heart." A contract was signed, and on April 12, 1954, the band, with Danny Cedrone on lead guitar, did a two-song session in New York that yielded "Thirteen Women" -- a post-nuclear holocaust sex fantasy worthy of Hugh Hefner (who had only started up Playboy magazine a year earlier) -- and "Rock Around the Clock." Dates are approximate due to lack of documentation. It was enough, however, for Gabler to schedule another session in early June, where the band recorded "Shake, Rattle and Roll.".
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