Jennifer Ehle on the other hand, isn’t that memorable as Amanda, unless you listen closely to her unconvincing accent. I know, for me personally, I have respect throughout the film that she's got her truth and the way that she's seeing things," Glass told Digital Spy. Saint Maud debuted at TIFF and was quickly picked up by A24, which gives the film a certain amount of instant cache in some filmgoing circles. There’s always several movies released each year that aren’t “bad” in the conventional sense but because they’ve been so overrated by critics, they feel all the more disappointing when you finally watch them. Change ), You are commenting using your Twitter account. Find out what else to watch with our TV Guide. But whereas William Friedkin’s horror classic makes up for the yawn-inducing opener with a strong final act, Written and directed by Rose Glass, this is an average feature debut. Amanda is an ex-dancer, ex-choreographer, a minor celebrity, and “a bit of a cunt” (as described by her former nurse) but she’s not portrayed as in need of saving or in need of sympathy – she’s just there – neither the villain or the hero. But alas, the industry would rather see their filmic middleman die a terrible death whilst promoting a handful of shite streaming services. So skip the trailer and instead save the date for Saint Maud's actual release. It stands alone as a one of a kind experience, and emerges as one of the best surprises of the London Film Festival to date. 0 What Went Wrong With… Borat Subsequent Moviefilm? Films like Saint Maud and Possessor could easily find a bigger audience given the right sort of marketing. 2.1m members in the horror community. The film is set in Coney Island, UK, that despite being a seaside town, it is soaked up in loneliness. Saint Maud is the kind of movie best experienced with as little prior information as possible. Her life got to a pretty bad place by now. Its mostly empty beach is the perfect scenario to Katie, or Saint Maud, a nurse that has recently converted into Christianism. "It would seem like a cop out to not have an ending like that.". Isn’t fornication outside of marriage sinful? Ever since its film festival run, Saint Maud has been lauded as “chilling”, “disturbing”, and “unsettling”, going on to receive a wimple-whopping 93% on Rotten Tomatoes (correct at the time of writing this review). With movie studios constantly moving the release dates of their blockbusters, cinemas around the globe are losing money with certain chains temporarily (and possibly permanently) closing their doors. Of course, I understand why movie trailers need to do this. Amanda is an ex-dancer, ex-choreographer, a minor celebrity, and “a bit of a cunt” (as described by her former nurse) but she’s not portrayed as in need of saving or in need of sympathy – she’s just there – neither the villain or the hero. That’s all well and good but whether anti or pro-religion, this movie never shocks your beliefs or makes you reassess your opinions. Here's all you need to know going in: A young nurse named Maud (Morfydd Clark) is hired to take care of a middle-aged dancer, Amanda (Jennifer Ehle), who's dying of cancer. Films like, could easily find a bigger audience given the right sort of marketing. "I always wanted the film to work on both levels, and you could interpret your way throughout [but] at what point does faith become a delusion? Mercifully avoiding jump scares apart from one or two shocking moments that aren’t used cheaply, Saint Maud fits nicely into the psychological horror genre whilst bringing something new to its field in a way that hasn’t quite been covered before, especially in the United Kingdom. What Went Wrong With... Harverd Dropout by Lil Pump? Glass added: “As far as I’m concerned, by that point at the end of the film, she’s obviously got to such a dangerous point where, regardless of what you think is going on, she’s not capable to take care of herself, and she’s in a really dangerous situation. That being said, no matter how good Saint Maud is to hipster film students and mainstream critics, this is a small, non-mainstream horror-drama, and even though we’re amidst the Halloween season with audiences craving cinematic scares, Maud will not be cinema’s saviour. The crux of the plot which is about caring for a terminally ill patient is relatively depressing, but the way in which this film is shot and presented (constantly moving the camera which is routinely out of focus) the downcast atmosphere is raised to levels of pretentiousness not seen in the genre since Trey Edward Shults’ similarly overrated, boring, and not-scary-at-all It Comes at Night. Saint Maud is showing in cinemas now. If you’re a Catholic and the answer to any of these questions is “yes”, then Saint Maud falls short of being a genuine Catholic horror movie unlike the aforementioned Exorcist which apparently depicted an exorcism accurately (minus the rotating head and levitating – obviously). This is not a modern-day The Exorcist, not by a long shot. And how pray tell, do you save someone’s soul by screaming and repeatedly stabbing them with a pair of ornate scissors? Spoilers for SAINT MAUD to follow. Isn’t murder a sin? Saint Maud is a strange, gorgeous, and deeply disturbing chiller which mixes psychological, religious, and body horror to form something that feels utterly original. Comments, Want to see your poll/question here? But there's a reason to hold off on watching this trailer for 'Saint Maud.'. That’s not necessarily a bad thing – directors ranging from John McTiernan to Ridley Scott have made unimpressive debuts but gone on to make classics – I wish critics would stop blowing smoke cartridges up all new filmmakers’ arses. ( Log Out / ( Log Out / It's here when Glass shockingly takes away any ambiguity as the very final shot of the movie shows us the horrifying reality of Maud burning herself to death, haunting you long after the credits have rolled. As well as being one of the best movies of 2020, Saint Maud delivers a final shot that is likely still haunting you, however long ago you watched the movie. But whereas William Friedkin’s horror classic makes up for the yawn-inducing opener with a strong final act, Saint Maud never really gets anywhere. (Obviously, expect spoilers). Saint Maud is a 2019 British psychological horror film written and directed by Rose Glass in her feature directorial debut. Sign in to manage your newsletter preferences. Submit one today. The film ends with Maud pouring propane above herself, and burning to death before the credits roll. You can unsubscribe at any time. The comparisons between Saint Maud and that film end with the fact that the first act of both movies is as dull as holy dish water. “Maybe some of that is kind of a genuine relationship with God, which maybe then descends into something more unhealthy, or maybe it was psychosis in the beginning. and they certainly aren’t awe-inspiring (or hair-raising) in the early-’20s. The world's defining voice in music and pop culture since 1952. This is an unfortunate situation not least because going to the movies is one of the better aspects of entertainment (and life). It leads up to this cathartic moment with the character and then smacks you around the face with it.”. We earn a commission for products purchased through some links in this article. We discover that her last job in the healthcare profession ended in tragedy, that she’s hiding her true identity and that her real name is Katie (or Katy or whichever spelling variant). It might be all of these things, it might be none of these things but who can tell in such a lacklustre flick?
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