Final Paper Scholars argues that Othello is not a hero but a murder that commits a crime of passion, but just as every Shakespearean tragic characters, Othello is a person that has made an error of judgment, had a fatal flaw and was destined for defeat; which when combined with external forces, will bring on a tragedies like Julius Caesar, Hamlet, and Macbeth. Both had great gifts in leadership. There are a number of very specific literary conventions that a dramatic work must have to adhere to Aristotle's multi-faceted definition of a tragedy. Her lackluster retort, despite its sincerity, enrages Lear, and he disowns Cordelia completely. Hamartia Theory 2. The popular playwright William Shakespeare explored these concepts within his work as is demonstrated in plays such as Hamlet. By doing this, the play shows great literary merit. According to Aristotle, the life and soul of tragedy is the plot; Incidents in the plot have the best effect if they occur unexpectedly, and in consequence of one another. Lear and his few companions, including some knights, a fool, and the disguised Kent, go to live with Goneril, but she reveals that she plans... ...Creon’s Tragic Fall: A Look at Sophocles’ Antigone Othello – Explore the Relevance of Rank and Race in Shakespeare’s Representation of a Tragic Hero. Number Due Borges, "The Theme of the Traitor and. Tragic Hero Begins With an Examination of, Tragic Hero Begins With An Examination Of, Othello Aristotle S Poetics Is The Most Informative, Othello As Tragic Hero While Othello Is Research Paper. His gullibility and jealousy are the main reason of his downfall. The events of the play fit so perfectly with each other, it was almost too coincidental that the events happened in the way they did. Ask Writer For Iago says that he will “wear my heart upon my sleeve for daws to peck at, I am not what I am” which is a denotation in an interpretive sense that a crow is a symbol of society and society is predatory and everything is deceptive. This is different from Othello and Desdemona. The Role of Humiliation and Punishment in a. ‘…loved [Othello], oft invited [him], Still questioned [him] the story of [his] life From year to year – the battles, sieges, fortunes That [he had] passed.’ In Shakespeare’s, Othello, it is the tragic downfall of the protagonist which intrigues audiences, exploring elements of the human condition through intricate human interactions. Also, a man should have nobility from birth, as Aristotle says, yet Othello slowly climbed the ladder of hierarchy enabling him to stable that status as the Moor (Venetian Moor) yet he sets himself as a tragic hero because he isn’t going to accepted into society due to his colour. By leaving the city of Corinth and heading to Thebes, Oedipus thinks that he can outsmart the will that the gods have for him. He, like...... ...often associated with virtue, courage and valour. However, in the play, Creon goes against this celestial decree because he sees Polynices as a traitor for warring against him as a member of another army. I speak not yet of proof. If you find papers matching your topic, you may use them only as an example of work. It was Othello who jumped to the conclusion that Desdemona should die. Othello is all about the evils of human nature but rather the marital matters. This is a major fatal flaw as it showed how male companionship collapsed the foundation and made Othello a ‘dawn fall’ . Lear's plan is to give the largest piece of his kingdom to the child who professes to love him the most, certain that his favorite daughter, Cordelia, will win the challenge. According to the Aristotelian characteristics of good tragedy, the tragic character should not fall due to either excessive virtue or excessive wickedness, but due to what Aristotle called hamartia. From Hamlet, an ideal prince, and other essays in Shakesperean interpretation: Hamlet; Merchant of Venice; Othello; King Lear by Alexander W. Crawford. Acknowledging moral order of the gods Aristotle’s point about appealing to emotions was correct and this is a sign of Othello being presented as a tragic hero. Now that Lear has turned over all his wealth and land to Regan and Goneril, their true natures surface at once. Click to learn more https://goo.gl/CYf83b. (ll. William Shakespeare’s Othello is a clear representation of the downfall of a tragic hero. Second, he is good—but not perfect—and his fall is directly attributable to his own guilty actions. The character’s fatal flaw or hamartia is the weakness that will ultimately lead to the character’s demise. As a means to set an example about the repercussions of disloyalty, Creon issues an edict to leave him unburied. To be a tragic hero, a character must be someone who is initially well respected and someone who holds a high esteem within society. Othello is a tragic hero for several reasons. However, as the play progresses, Othello’s character begins to deteriorate. III. One critic has criticised the statement that Othello is presented as a tragic hero because ‘Othello is overly aware of his nobility’ (2). A Tragic hero is usually a character that makes a mistake that leads to his failure, but a Shakespearean tragic hero is initially one, who is born noble, but not necessarily virtuous; there are some great aspects of personality that he has in excess which would often also be his weakness which creates a conflict for the character.
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