If you havenât seen it, for your readers, hunt down the black and white version. We were in a cop car, in the Crown Vic, driving around. TJ:Â It just gives you a sense of reality, you know? I was 15. They have to leave their wives to go off to work, and they donât know whether theyâre ever gonna come back home. We shot in Buffalo, New York. We just shot our own little short movie in our house during quarantine. Bullet Points: Hunter’s Moon. Well, we’ve known each other on and off. That was a blast. So for the past several years, I travel with my cat everywhere. So I bought a guitar for $70 – a 1969 Yamaha acoustic guitar and I would sit on the street and play it. Bullet Points: Money Plane. He specialises in covering world cinema, independent film, documentaries, and championing the underdog. F*ck no.â, He said that I wouldnât make as much money, with the budget cut in half, and Iâm like: âF*ck all that sh*t, we gotta film it.â. I dropped out of high school to be an actor. I was a two chord guy! Bad cops need to be weeded out, it gives all those cops a bad name. I love this. Whatâs exciting for me is that Renegade is already getting traction in Hollywood. We shot for about a month. UNILAD: Did you see much crime while filming on late nights?Â. TJ: We did a lot! Iâd always been a huge fan, we became friends and thatâs how I met Frank Darabont. If somebody came and asked me to do it againâ¦ if the script was good enough, Iâd probably do it. What’s it like hooking up with someone you’ve known for 25 years? I rode around with the LAPD for two weeks before I made this movie. Rob worked on a number of online music magazines, both as a writer and editor, before concentrating on his first love - film. Itâs a f*cking hard job; you donât get paid a whole lot of money and if you wanna be one, you are inducted into a fraternity of service.Â Some dudes abuse that power. Ever since then, this weird kismet s*** has been happening all the time. From The Punisher to Bulletproof, a bleak, gritty âCode of Blueâ thriller, Thomas Janeâs cinematic journey of exacting justice continues.Â. TJ: Joel Souza wrote a script, he tried to tell the truth. Itâs not what youâd expect from a film like this, so that turned me on. That needs to happen. After stints as Cultural and Film Editor on local magazines, he took up residency as Film Editor at Backseat Mafia. Thatâll come outâ¦ whenever the hell it comes out. TJ: Well, the fun thing is that even though we shot in Buffalo, I hooked up with the LAPD here in Hollywood two weeks before I left. Yes, when I got out to Los Angeles. TJ: Itâs not about defunding the police, that is an idiotic idea. TJ: Stephen King came to the set, we had dinner. I was friends with Frank Darabont because we were both friends of a comicbook artist named Bernie Wrightson. 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